Performance Calendar / 主要演出日程

2018

  • April 14 (from October 12, 2017),recording of Two Poems for orchestra (recorded by Orchestre National de Lorraine), featured both onsite and online at the exhibition of  The Weight of Lightness: Ink Art at M+ (似重若輕:M+水墨藏品) –chapter III: Beyond Material (https://www.westkowloon.hk/tc/inkart/the-weight-of-lightness-ink-art-at-m), at M+ Pavilion, Hong Kong.
  • March 04,  Emanations of Tara for clarinets, violin, cello, piano, and pipa, performed by Civitas Ensemble, Chicago Symphony Orchestra Chamber Series at the Art Institute of Chicago (https://cso.org/ticketsandevents/subscriptions/cso-chamber-at-aic/),  USA.   

2017

  • December 9, 牧云图Cloud Herding for erhu, dizi, ruan and qin, performed by 王颖(erhu), 侯长青(dizi), 邸琳(ruan),吴雪萌(qin)at 王府 Concert Hall, Central Conservatory of Music, Beijing, China
  • December 1, Silence for cello solo, premiered by FANG Yijia at Cincinnati-Conservatory of Music, USA.  
  • November 23, Walking on a Tightrope for double bass, performed by Henry Chen, at Tainan National University of the Arts, Tainan, Taiwan
  • November 20, Walking on a Tightrope for double bass, performed by Henry Chen, at the Tunghai University Music Department, Taichung, Taiwan
  • November 17, Jun for double bass and pipa, performed by 李子祺(bass) and 樊之琳 (pipa) at Central Conservatory of Music High School Concert Hall, Beijing, China
  • November 12, Air for violin solo, performed by DU Xuan, at the University of Chicago Beijing Center, China.  
  • November 19, Ricochet for cello solo, performed by Alessio Pianelli at the concert Mosaic à Villa Greta, Pregny-Chambésy/Geneve, Switzerland
  • November 18, Ricochet for cello solo, performed by Alessio Pianelli at the concert Mosaic in Besancon, France
  • November 17, Ricochet for cello solo, premiered by Alessio Pianelli at the 1er concert Mosaic à la Salle Faller au conservatoire de La Chaux-de-Fonds, Switzerland
  • November 1, Glos for viola solo, performed by Ashley Galvez-Red, at the Brigham Young University School of Music, Madsen Recital Hall, Utah, USA
  • October 28, The Supplicant for oboe solo and large ensemble, premiered by Juan Mauel Garcia-cano Ruiz and Hong Kong New Music Ensemble, conductor Lio Kuokman, at Concert Hall of Hong Kong Academy for Performing Arts, Hong Kong, China. 
  •  October 12 (to April 14, 2018)recording of Two Poems for orchestra (recorded by Orchestre National de Lorraine), featured both onsite and online at the exhibition of  The Weight of Lightness: Ink Art at M+ (似重若輕:M+水墨藏品) –chapter III: Beyond Material, at M+ Pavilion, Hong Kong. 
  • August 10, Five Chinese Folk Tunes for piano, presented by Elise Yun at European Piano Teachers Association Conference, Helsinki, Finland. 
  • August 10,Pheuma, for viola and string ensemble, premiered by Yunjie Liu and Gonggeng Shuyuan Summer Music Academy String Orchestra, conducted by Chen Lin, at 丽水大剧院, lishui, Zhengjiang Prov., China. 
  • August 8, Pheuma, for viola and string ensemble, premiered by Yunjie Liu and Gonggeng Shuyuan Summer Music Camp String Ensemble, conducted by Chen Lin, at  遂昌汤显祖艺术馆,Suichang,  Zhengjiang Prov., China.  
  • July 29, Through Waters, By Mountains, for clarinet and piano, performed by Guy Yehuda at International Clarinet Association Conference (the ClarinetFest), Orlando, U.S. 
  • July 14Yearning for zheng and double bass, performed by Wang Yucheng and Chen Hanjui at 2017 台湾兰阳国际低音提琴夏令营及音乐节,宜兰,Taiwan
  • July 12,  哈特日亚 for Mongolian Khoomei & horse fiddle ensemble and western orchestra, performed by 奈热组合 and China Philharmonic, CCTV Summer Concert, 密云,Beijing, China
  • July 11  Cinq Stades de l’Existence for harp solo, performed by Guo Yue at 2017 World Harp Congress, Hong Kong Academy for Performing Arts, Amphitheatre, Hong Kong  
  • June 24  Cinq Stades de l’Existence for harp solo, performed by Guo Yue at Central Conservatory of Music, Beijing, China 
  • May 21,Lotus Aloft (for zheng), Si Fan(for pipa and erhu), Air (for Violin), Pipa Playing the Opera: Heart of Qin from The Romance of Western Chamber (pipa),  performed by Li Liangzi, Liu Fanhe, Li Cangxiao, Du Xuan, Lan Weiwei at Sunday Salon, presented by Timeout Magazine and The Bookworm Beijing, China 
  • May 4  沐云图 Cloud Herding for 4 Chinese instrumentsperformed by 黄锦辉(qin), 吴奇峰(erhu),李育慈(dizi),林彣蔚(ruan)at 台湾高雄市音乐馆, Kaohsiung City, Taiwan
  • May 3  Presenter at Chinese Contemporary Music New Trends Forum XIII, Department of Music, National Sun Yat-Sen University, Kaohsiung City, Taiwan.
  • April 27  Sotto Voce for flute and piano, and Vesper for viola and piano, performed by Ensemble Eclat at 2017 ACL-Korea International Conference and Festival, Ilshin Hall, Seoul, Korea
  • April 22  怀古 Nostalgia for 7 Chinese instrumentalists, premiered at the concert 丝竹岭南 by musicians from Guangdong National Chinese Orchestra at Xinghai Concert Hall, Guangzhou, China 
  • March 16-17  Presenter at the conference “2017 Perspectives on Chinese Contemporary Music”, Harvard Center Shanghai, China
  • February 08  Air, performed by Lee-Chin Siow at Carnegie Hall-Weill Recital Hall, New York City, US. (https://www.carnegiehall.org/Calendar/2017/2/8/0800/PM/Lee-Chin-Siow-Violin-Svetlana-Smolina-Piano-Gabrielle-Armenier-Eurythmy/)

2016

  • December 30, Composer’s Talk “Narratives and Colors of My Music”, 北京电影学院摄影系 (Department of Cinematography of Beijing Film Academy), Beijing, P.R. China
  • December 25, 牧云图(Cloud Herding), performed by 王华 (笛子),赵戈(二胡),邸扬(中阮),吴雪盟(古琴)陈雷激和他的朋友们音乐会,海棠湾红树林,Mangrove Tree Sanya,P.R.China
  • December 18, 牧云图(Cloud Herding)performed by 张沛霖 (笛子),董施栾(二胡),孙纬祺(中阮),吴雪盟(古琴)民乐新视界音乐会,中央音乐学院,P.R.China
  • November 25-27, guest speaker at Summit Forum “中国音乐发展的现状,问题与对策”  上海音乐学院, P.R.China.
  • November 19, Cinq Stades de L’existence, performed by Nicolas Tulliez at Soka International Harp Festival, Japan.
  • November 13SiFan思凡performed by Liu Fanhe刘凡赫 and Li Cangxiao李沧枭 at Musikverein Metallener Saal, Wiener, Austria
  • November 9SiFan思凡performed by Liu Fanhe刘凡赫 andLi Cangxiao李沧枭 at Rudolf-Steiner Haus, Hamburg, Germany
  • November 5, Public Pre-concert Lecturer (Digital Concert Hall-Berlin Philharmonic) on the musics of Villa-Lobos and Messiaen, Goethe-Institut Peking, Beijing, China.
  • October 28Jun骏  performed by Li Gengpei(李赓沛) and Liu Fanhe(刘凡赫) at 中央音乐学院中音杯低音提琴比赛及大师班,Central Conservatory of Music, Beijing, China.
  • October 27, Composer’s Talk on fusing Chinese and Western musical instruments,  Conservatorio de Musica “Giuseppe Verdi” di Milano, Milan, Italy
  • October 27, Playing Opera on the Pipa: 长亭performed by 黄暐贸 (pipa),温宇航(昆生),劉珈后(昆旦),台湾台北成品表演厅/Eslite Performance Hall, Taipei
  • October 24-25,  Composer’s Talk on fusing Chinese and Western musical instruments,  Conservatoire National Superieur de Musique et de Danse de Paris, France
  • September 26,  Asura, performed by Fernando Reis at Chinese Percussion Concert of San Paulo State University, Brazil.
  • September 25, Air, for violin solo,performed by Prof. He Wei, San Francisco Conservatory of Music, USA.
  • September 23, Through Waters, By Mountains, for clarinet and piano, premiered by Guy Yehuda and Deborah Moriarty, at the concert “Rhapsodies Around the World”, Cook Recital Hall of the Michigan State University School of Music, USA.
  • September 20, Vesper, for viola and piano, performed by Ensemble Eclat at Seoul Art Center IBK Chamber Hall, Korea.
  • September 9,  composer’s talk at the Composition Colloquium of the Music Department of University of California, Berkeley, USA
  • August 18, Walking on a Tightrope, performed by Hanjui Chen at Biarritz International Bass Academy, Biarritz, France.
  • August 10, 牧云图(Cloud Herding)performed by 王华 (笛子),何宇洁(小提琴),邸扬(中阮),吴雪盟(古琴),假日弹拨乐团音乐会, 浙江丽水莲城剧场,China
  • July 29, 声情 Głos, performed by Veit Hertemstein at Stode Musicvecka, Stode, Sweden.
  • July 26, SiFan思凡performed by 刘凡赫 and 李沧枭; Air咏叹, performed by Du Xuan (杜玄); Pipa Playing the Opera:Heart of Qin琵琶弹戏西厢记之琴心 at the University of Chicago Beijing Center, China Beijing.
  • July 18, 思凡, performed by 刘凡赫 and 李沧枭 at Central Conservatory of Music, China
  • July 14, 沧浪,沧浪…/Tsanglang,Tsanglang…performed by New Music Concerts Ensemble Toronto and 范赛赛 (古筝)at 2016 Beijing International Composition Workshop of Central Conservatory of Music, China.
  • July 14Głos, performed by Veit Hertemstein (principle viola of Sinfonie-Orchester Basel) at Deutsch-Chinesisches Classic Music Festival in Stadt Langen, Germany.
  • July 10, 思凡,performed by 刘凡赫 and 李沧枭 at Goethe Institute Arts Center Beijing
  • June 30, 阿修罗 Asurafor Marimba and three Tibetan bowls, performed by 王盈智 at 高雄现代击乐节,台湾,Taiwan.
  • May 27, 牧云图,  performed by 王华 (笛子),赵戈(二胡),邸扬(中阮),吴雪盟(古琴),陈雷激古琴音乐会-幽兰牧云, 宁波文化广场大剧院,China
  • April 10 , Jun骏  performed by Liu Fanhe(刘凡赫) on pipa and Li Gengpei(李赓沛)on double bass at the First National Conference on Musical Performance Studies(首届全国音乐表演研究学术研讨会) at Central Conservatory of Music, China.
  • March 16Głos, for viola solo, premiered by Peijun Xu at Poznan Musical Spring Festival, Poland.
  • February 11, Vesper, for viola and piano, premiered by Peijun Xu and Paul Rivinius, Kulturrathaus in Giessen (http://www.giessener-meisterkonzerte-ev.de/index.php?id=450), Germany
  • January 22, two movements from Cinq Stades de l’Existence performed by Guo Yue at Beijing Huabin Opera House (北京华彬歌剧院), China.

2015

  • December 16, Playing Opera on the Pipa: 长亭performed by Lan Weiwei, Lu Jia and Xiao Xiangping at the 北京潮涌东方发明音乐会, Beijing, China
  • November 30, Jun  performed by Liu Fanhe on pipa and Li Gengpei on double bass at Central Conservatory of Music.
  • November 23-27, 29, Yao Chen appears on Radio France’s Alla Breve program, for 6-day releasing his commissioned work Cinq Stades de l’Existence, and an interview with presenter Anne Montaron in Paris. (http://www.francemusique.fr/emission/alla-breve/2015-2016/cinq-stades-pour-harpe-de-chen-yao-1-5-11-23-2015-11-55)
  • October 15, Air, for violin solo, performed by violinist Siow Lee-Chin at Suzhou Cultural and Arts Center Recital Hall, presented by 2015 Jinji Lake Arts Festival, Suzhou, China.  
  • September 30, O…What an Awakening, for mixed sextet, performed by Ensemble MD7 (http://www.md7.org/) at SLOVENIAN PHILHARMONIC, THE MARJAN KOZINA HALL, presented by World Music Days Festival in Ljubljana, presented by International Society of Contemporary Music, Slovenia.
  • September 21, Playing Opera on the Pipa: 长亭performed by Lan Weiwei, Lu Jia and Xiao Xiangping at the 首届中央音乐学院民族音乐节 (First Central Conservatory of Music National/Folk Music Festival),  Central Conservatory of Music Auditorium, Beijing, China.
  • August 04,  Sotto Voce, for flute and piano, performed by Clara Novakova at Tereziansky Sal Brevnovskeho Klastera, presented by Mezinarodni Hudebni Festival, Prague, Czech Republic.   
  • July 09, Sifan, for erhu and pipa, performed at 四川音乐学院悦鸣民族室内乐团成立音乐会,Chengdu,China.
  • June 23, Air, for violin solo, premiered by Siow Lee-Chin at St Bartholomew-the-Great, presented by City of London Festival (colf.org), United Kingdom.
  • June 18, Air, for violin solo, performed (previewed)  by Siow Lee-Chin at Soochow University School of Music, China.
  • June 16, Sifan, for erhu and pipa, performed by Zhao Guanjie and Lan Weiwei Dunhuang Culture Promotion Foundation 雅集,The Silk Road Dunhuang Hotel, Dun Huang, China. 
  • June 13, Air, for violin solo, performed (previewed)  by Siow Lee-Chin at Zhenjiang Cultural Center, Wenxin Theatre, China.
  • June 7,  Imagining the Sounds of the Early Modern Pipa, A Dialogue between History and Practice, Music and Materiality 想象明代琵琶的声音:一次历史与实践,音乐与实物的对话 芝加哥大学北京中心两日跨学科研讨会
  • June 06, Playing Opera on the Pipa: Three Scenes from Romance of the Western Chamber, for pipa and two Kun opera singers premiered at 北京西城区少年宫东院,presented by University of Chicago Beijing Center and 良友文化基金会,敦煌文化弘扬基金会, Beijing, China
  • June 04, Walking on a Tightrope, Yearning, two pieces performed by Henry Chen and Yu-Chen Wang at International Society of Double Bass Convention, Dance Theatre, Colorado State University, USA.
  • May 27, Walking on a Tightrope, Yearning, two pieces performed by Henry Chen and Yu-Chen Wang at Soochow University School of Music, Suzhou, China.
  • May 17, “Playing Opera on the Pipa: One Scene (Heart of Qin) from Romance of the Western Chamber”,  performed by Lan Weiwei At the Bookworm Sunday Salon, presented by the Bookworm and TimeOut Beijing, Beijing, China.
  • May 11, “Playing Opera on the Pipa: One Scene (Heart of Qin) from Romance of the Western Chamber”,  “Lotus Aloft” and “Tsanglang,Tsanglang…”, three works performed by Lan Weiwei, Yu-Chen Wang, Clara Novakova, Maryia Grudo in Su Zhou No.1 High School Auditorium,  Suzhou, China.
  • May 08, “Jun”,  “Playing Opera on the Pipa: One Scene (Heart of Qin) from Romance of the Western Chamber”, and “Tsanglang,Tsanglang…”  (world debut), three works performed by Lan Weiwei, Yu-Chen Wang, Clara Novakova, Maryia Grudo and Henry Chen at the Soochow New Voice Concert, Soochow University School of Music, Suzhou, China.
  • April 25,  Yearning, Walking on a Tightrope, and Lotus Aloft, three works performed by YuChen Wang and Henry Chen at Dayang Mountain Park (大阳山森林公园), presented by Chujian Shufang (初见书房), Suzhou, China.
  • April 23,  Public Lecture Exploring Theatricality in My Recent Compositions plus a live performance of Lotus Aloft ( 步步升莲) by Yuchen Wang at the Soochow University School of Music, Suzhou, China.
  • March 17,  Five Chinese Folk Tunes, for piano solo, performed by Elise Yun at Soochow New Voice Concert Series I,  Soochow University School of Music, Suzhou, China.
  • March 15,  Emanations of Tara, for pipa, violin, cello, clarinet, and piano, premiered by Civitas Ensemble (Chicago Symphony Orchestra principle players) and pipa player Yang Wei at Nichols Concert Hall, Music Institute of Chicago, USA
  • February 14,  Five Chinese Folk Tunes, for piano solo, performed by pianist Elise Yun at Echoes of China:Contemporary Chinese Piano Music, sponsored by Portland State University and Confucius Institute, Portland, USA.

2014

  • November 06, O…What an Awakening, for sextet, at the 32nd Asian Composers League Conference &Festival –Asian Music Festival 2014 in Japan, performed at the Chamber concert in Shibuya Cultural Center Owada, Sakura Hall.
  • September 21O…What an Awakening, performed by Wild Rumpus Ensemble at the SFMusic Day Sunday presented by San Francisco Friends of Chamber Music, at the Osher Salon of San Francisco Conservatory of Music, USA
  • August 19, double bassist Michael Cameron gives my piece Walking on a Tightrope the European premiere at the 5th World Bass Festival, Wroclaw, Poland
  • June 01,  Playing Opera on the Pipa: Two Scenes from Romance of the Western Chamber 琵琶弹戏: 西厢记二折for pipa,  performed by Lan Weiwei at Envisioning China- Festival of Arts and Culture, Smart Museum of Art, the University of Chicago.
  • May 10,  步步生蓮 (Lotus Aloft), for zheng solo, premiered by Yu-Chen Wang at the 2014 龍吟滄海音樂節 (Sound of Dragon Music Festival, http://soundofdragon.com/)Roundhouse Community Arts & Recreation Centre, Vancouver, Canada 
  • April 24,  Asura, for marimba and Tibetan Singing bowl, premiered by marimba virtuoso Wei-Chen Lin (www.weichenlin.com) at Boston University, School of Music.
  • April 03,  Ad Libitum, for timpani and piano, performed by Yihan Zhang and Karen Cheng at Red Note New Music Festival, Illinois State University, IL.
  • February 02, at 2014 Chicago Bass Festival, double bassist Henry Chen gave a public presentation on my two double bass works Jun (bass and pipa) and Walking on a Tightrope (bass solo)
  • January 09, Cave in the Sky (霘) for voices, zheng, pipa, bamboo flutes and water-ink lanscape painting, performed by Luo Shi, Wei Xing, Ding Xue-er,  Wang Ya-yu, Chen Bai-an, and Bingyi at the Beijing Qian Men Emperor Hotel (皇家驿站).

2013

  • December 05, Tangents II for large ensemble (10 players), performed by the Hong Kong New Music Ensemble, Sheung Wan Civic Centre Theatre, Hong Kong
  • November 16 Walking on A Tightrope for solo double bass, performed by Michael Cameron at New Music Series at Illinois Wesleyan University, U.S.
  • November 14, three works Jun for pipa and bass, Yearning for bass and zheng, and Walking on a Tightrope for bass solo, performed by Han-Jui Chen (bass), Yu-Chen Wang(zheng), Yang Wei(pipa) at University of Illinois at Urbana-Champaign, School of Music Auditorium.
  • November 12,  Walking on A Tightrope for solo double bass, performed by Michael Cameron in his Double Bass Recital at University of Illinois at Urbana-Champaign, Music Building Auditorium.
  • October 20,  Si Fan for pipa and erhu, performed by Lan Wei-wei and Wang Yijing at the Sunday Salon of The Bookworm, Beijing, P.R. China
  • September 27, O…What an Awakening for soprano, flute, clarinet, violin, cello and piano, performed by Wild Rumpus New Music Collective at Old First Church, San Francisco.
  • September 21, Afterglow for string quartet, performed by Tang Quartet at Yong Siew Toh Conservatory Music Orchestral Hall, the 31st Asian Composer League Festival, Singapore
  • July 24,  Si Fan for pipa and erhu, performed by Lan Wei-wei and Zhao Guan-jie as part of the Zen theatre performance in Companion Cultural Foundation(良友文化基金会), Beijing, China
  • June 06, Walking on a Tightrope for double bass solo, performed by Michael Cameron at 2013 International Society of Bassists Convention, Howard Hanson Hall, Eastman School of Music, N.Y.
  • March 18,  Sotto Voce  for flute and piano, performed by Earplay New Chamber Music,  ODC Dance Commons, 351 Shotwell St, San Francisco
  • March 06, Yearning for zheng and double bass, performed by Yu-Chen Wang and Henry Chen, at Rednote New Music Festival at Illinois State University, Normal.
  • March 01, Yearning for zheng and double bass, performed by Yu-Chen Wang and Henry Chen, Compost Q Ensemble touring concert at University of Louisville.

2012

  • November 14,  Walking on A Tightrope for solo double bass, premiered by Michael Cameron in the concert of 2012 Salvatore Martirano Memorial Composition Award, Krannert Center for the Performing Arts, Urbana,IL
  • November 5,  Sotto Voce for flute and piano, performed by Gaby Vargas and John Urban in a special concert honoring the extraordinary legacy of Dr. Marjory Barnett and A N and Pearl G Barnett Family Foundation, St. Pauls Chapel, at 647 West Fullerton Ave. Chicago
  • October 21, Tangents II for large ensemble, performed by Israel Contemporary Players, conducted by Zsolt Nagy at Jerusalem Music Centre, broadcasted live via Israel Radio, Jerusalem, Israel
  • October 20Tangents II for large ensemble, performed by Israel Contemporary Players, conducted by Zsolt Nagy at Tel Aviv Art Museum, Israel
  • August 08, Yearning for zheng and double bass, by Yu-Chen Wang and Henry Chen, at OPUS Chamber Music Camp, Benedictine University, Lisle, IL,
  • June 19, Tangents II for large ensemble, North/South Consonance Concert, Max Lifchitz, conductor  The North/South Chamber Orchestra,Christ and St. Stephen’s Church, New York City
  • June 08, O… What an Awakening for sextet, premiered by Wild Rumpus New Music Collective at ODC Dance Commons, Studio B, 351 Shotwell St, San Francisco
  • May 31Sotto Voce for flute and piano, performed by Locrian Chamber Players, at 8PM in Riverside Church, NYC
  • May 18, public lecture ” Of Confrontation and Confluence” at Ohio State University Institute for Chinese Studies and the School of Music Department of Theory and Composition, Columbus, OH
  • May 12, Sfumato for woodwind quintet, performed by Quintet of the Americas at Random Access Music’s Queens New Music Festival, in Long Island City.
  • April 29, Yearning for Chinese zheng and double bass, performed at Chinese Fine Arts Society concert, Chicago Cultural Center  Preston Bradley Hall, Chicago
  • March 31, Sfumato for woodwind quintet, by Quintet of the Americas,  Flushing Library in NYC
  • March 24, Yearning for Chinese zheng and double bass, performed by Yu-Chen Wang and Han-Jui Chen at Ball State University Festival of New Music,  Muncie, US
  • March 16, Yearning for Chinese zheng and double bass, performed at the Award Ceremony Chinese Fine Arts Society International Composition Competition, Chicago, US
  • February 05, Sfumato for woodwind quintet, performed by Quintet of the Americas,  Mahaiwe Performing Arts Center, Great Barrington, MA
  • February 04, Sfumato for woodwind quintet, performed by Quintet of the Americas,  Music of Now Marathon at Symphony Space, New York City
  • January 21 & 22, Two Poems for chamber orchestra,  performed by ProMusica Chamber Orchestra, Rei Hotoda Conducting, Southern Theatre, Columbus, OH, USA

2011

  • November 11, Two Poems for chamber orchestra, University of Louisville New Music Festival, University of Louisville Symphony, conductor Kimcherie Lloyd
  • June 22, Sfumato, performed by the Quintet of the Americas, at Bayside Senior Center, New York City
  • June 21, Sfumato, performed by the Quintet of the Americas, at Salvation Army in Jackson Heights and then at the Center for Mediation Services in Jamaica,Queens, New York
  • May 25, 苦離別 , for ten Players, performed at Beijing Modern Music Festival, Central Conservatory of Music Concert Hall, Beijing, P.R. Chin
  • May 21, Yearning for double bass and zheng, performed by Yu-Chen Wang and Henry Chen (with modern dance version) at the “Landscape in Metamorphosis” concert in Smart Museum of Arts, University of Chicago, Chicago
  • May 17, 19, 20, 21, and 27, woodwind quintet Sfumato, performed by members of the Orchestra of St. Luke’s, DiMenna Center in Manhattan, the Brooklyn Museum of Art, and PS19 in Corona, Queens, N.Y.
  • May 14, violin & piano duet  Inquietude,  performed by Haiying Mai at Hong Kong Academy of Performing Arts, China
  • May 05,  Yearning for double bass and zheng, performed by Yu-Chen Wang and Henry Chen at University of Illinois World Music Festival, IL.
  • April 16, Sfumato for wind quintet, performed by Quintet of the Americas as part of NYC Immigrant Heritage Week 2011 at Queens Library, New, York
  • March 18Sotto Voce for flute and piano, performed at the NewNowNorse Festival, Northern Kentucky University, U.S.

2010

  • December 02,  Jun for pipa and double bass, performed at in the concert series of the 70th anniversary of the Central Conservatory of Music in Beijing, China
  • March 15, Tangents II for chamber ensemble, performed by Illinois Modern Ensemble of University of Illinois School of Music Champaign, USA.

2009

  • October 08, Sotto Voce for flute and piano, Christine Gustafson and Keiko Sekino, East Carolina University in A. J. Fletcher Recital Hall Greenville, East Carolina, USA
  • July 21Tengents for chamber ensemble, Pacific Music Festival, Sapporo Concert Hall Kitara Sapporo, Japan
  • April 12Jun for pipa and double bass, Yang Wei and Daxun Zhang at the Isabella Stewart Gardner Museum Boston, USA
  • March 28Sotto Voce for flute and piano, Beijing New Music Ensemble, Ullens Center for Contemporary Art Auditorium Beijing, China
  • March 09,  Sfumato, for woodwind Quintet, New Music Festival 2009 at Western Illinois University,Camerata Woodwind Quintet Macomb, IL, USA
  • March 01,  Two Poems, for chamber orchestra, ECU Symphony Orchestra, Jorge Richter, Wright Auditorium, Greenville, NC, USA

2008

  • December 6Si Fan, Central Conservatory of Music, Recital Hall Beijing, P.R. China
  • August 11Four Duets, Chamber Music Hall, Tanglewood Music Center & Festival, New Fromm Players Tanglewood, MA, USA
  • July 29, Her Waltz, for soprano and piano, Chamber Music Hall, Tanglewood Music Center & Festival Tanglewood, MA, USA
  • July 27Sotto Voce, Seiji Ozawa Hall, Tanglewood Music Center & Festival, New Fromm Players Tanglewood, MA, USA
  • July 23, Des Ombres Heureuses for flute, soundSCAPE festival, S.Maria Gualtieri Pavia, Italy
  • May 23,  Si Fan for pipa and erhu, Central Conservatory of Music, Recital Hall Beijing, P.R. China
  • March 04,  Jun for pipa and double bass, QiLin Duo at the University of Taxas at Austin, Jessen Auditorium Austin, TX, USA

2007
July19-August 20, woodwind quintet Sfumato, Aspen Music Festival Aspen, CO. USA

May 27Sotto Voce for flute and piano at Barnett Foundation Flute Competition Chicago, IL. USA

May 18, Instrumental Theatre: Paramita for 14 players, Ganz Hall, Contempo of University of Chicago Chicago, IL. USA

April 15, Sotto Voce for Flute and Piano at Barnett Foundation Flute Competition Chicago, IL. USA

April 11, 12, Mongolian Shepherd Song for children’s choir and string orchestra, Winnipeg Syphony Orchestra Winnipeg, Canada

April 3, Sotto Voce, for flute and piano, at Jordan Hall, New England Conservatory Boston, MA. USA

March 5, 20, 21Mongolian Shepherd Song for children’s choir and String orchestra, Winnipeg Syphony Orchestra Winnipeg, Canada

2006
Dec. 17, Jun for Chinese pipa and double bass, QiLin Duo at Art Institute Chicago, IL. USA

July 16, Two Poems, by Orchestre National de Lorraine at Centre Acanthes Music Festival Matz, France

May 3, Five Chinese Folk Tunes for solo piano, Shin Higushi Institute and Sound Field, NFP Chicago, IL. USA

January 19Two Poems for Chamber Orchestra, Saint Paul Chamber Orchestra Chicago, IL. USA

January 7, Transience for chamber ensemble, Contempo at Museum of Contemporary Art Chicago, IL. USA

2005

Winging for piano solo, commissioned and premiered by eighth blackbird pianist Lisa Kaplan for a joint composition project Murmurations–Blackbird Piano Variations, Fazioli Pianoforte Studio, Chicago

Afterglow for string quartet, premiered by Pacifica String Quartet in Chicago, second performance by Diotima Quartuor at June in Buffalo Music Festival, New York  

2004

Music for documentary Team Spirit, commissioned by Japanese American Chicago Nisei Athletic Association, Chicago

2003

Pour for solo bayan, performed by Stas Veglevski at the 7th Midwest Graduate Music Consortium, Northwestern University, Evanston

Transiencefor chamber ensemble, premiered by Pacifica Quartet and eighth blackbird in Mandel Hall, the University of Chicago

2002

Si Fan II for four Chinese instrumentalists, commissioned by Radio France for Festival Presences, premiered by Tianyin Chinese Ensemble at Salle Olivier Messiaen, Paris

Suffusing…Sigh for string quartet,premiered byPacifica String Quartet in Fulton Hall, the University of Chicago

Advertisements
%d bloggers like this: